Thursday, December 16, 2010

Tom Waits no longer


Tom Waits is heading to Cleveland!

Rectifying a long-standing, egregious oversight, the Rock and Roll Hall of Fame today announced venerable singer/songwriter and idol o’ millions Tom Waits will be inducted into their august body in next year’s class of officially sanctioned rock royalty.

Joining him to be feted are Alice Cooper and Neil Diamond as well as Dr. John and Darlene love. It’s like “Orphan, Brawlers and Boozers” year at the RRHOF. Dr. John? Really? Before KISS? Before Warren Zevon? Before Rush, for God’s sake??

Dr. John at all? Whoever it was behind the scenes who pushed Dr. John into a top slot this year deserves his or her own award as Fan Number One.

But I’ll give it up for Darlene Love. She sounds like she was one of those Motown-era babes, and those gals could sing the shingles off a rooftop. Why isn’t there an R&B Hall of Fame, or is there one and I just haven’t heard about it?

Alice Cooper? His best songs are a couple mid-tempo, Bon Jovi-ish ballads and his stage show, the time I saw him, involved men running around dressed as nuns and flashing the audience. Besides Marylin Manson and his fellow emo-tools from the shock-rock scene, who has he influenced? Which songs of his are part of the American Canon, deserving of enshrining in the hallowed halls of rock? His biggest hit, “I’m Eighteen,” could indeed have been written by 18-year-old. And not an 18-year-old Mozart, an 18-year-old killing some time in lock-up, waiting to be bailed out for stealing change from parked cars.

But I did see Alice in concert once and enjoyed it thoroughly. Plus, of this year’s inductees, he’s the only actual Rock-And-Roller. So come on in, Mr. Cooper, with my blessings. That nun shit really did freak me out as a kid, though...

Neil Diamond. Neil fucking damned Diamond in the Rock Hall of Fame? It’s about time!


Although way more Tin Pan Alley than rock, Diamond has a back catalog that will live forever, that defines a perspective on America that reflected the times he lived in. He helped shape pop and as he did that, he didn’t only reflect the times he lived in, he helped shape them, too. My YouTube clip of him on the Johnny Cash Show, above, will have over 200,000 hits by the end of the day. The blue-hairs still love him and find the 25-year-old version of him sexy as hell.

Although he may not ever have personally rocked particularly hard, he did influence a generation of kids who did. I remember seeing “Live At The Greek” on TV some time in the 70s and being blown away. It may not have been rock per se, but it took me to the same place as a really good rock show did. Show Mr. Diamond to his seat.

Oh, and what can one say about Tom Waits. I’m so happy he’s finally getting some recognition, I’m not even that pissed about Rush being bypassed again this year. I won’t even mention it again!

My beloved Tom is not even an acquired taste. You either like him or you don’t. You REALLY don’t. Most people I know who are not musicians (and a couple who are) or music critics do not care for Tom Waits’ singing voice, which sounds like a burlap bag of geriatric cats being dragged over discarded percussion instruments—admittedly. But that’s exactly what I like about him.

And as a songwriter, he is without equal. Whether barrel-house blues or heart-tugging piano ballads—usually about losers whom the world has turned its back on—the listener believes every word he can make out without having to refer to the lyric sheet. Like Johnny Cash or Leonard Cohen or Nick Cave, Waits is extremely there, in the moment, as a performer; both on record as well as in his rare, eccentric live appearances. (Tom Waits is probably the only guy in the Hall of Fame who has opened for the Dalai Lama!)

So props to the HOF this year for getting a big one right. You know what I’d really like to hear at the ceremony? Diamond and Waits each singing one of the other’s songs. Maybe Diamond doing “Come On Up To The House” and Waits doing “Glory Road?”

Sheer rock and roll bliss!

4 Comments:

Anonymous Lisa V said...

Pete, thanks for this. Neil Diamond was one of my folk's favs. I must've heard Hot August Nights 1000 times growing up. Always loved Brother Love. Remember being on vacation on the Oregon coast, my parent's friend's jeep parked on the beach, 8 track blaring that song while we kids danced in the waves and the grown ups drank Boones Farm out of paper cups.

Such a great clip. Cash and Diamond both so beautiful and young.

10:02 PM

 
Anonymous IdahoBert said...

This is so cool! Thanks for posting it! Wow!

10:10 PM

 
Anonymous Anonymous said...

I think that you must have missed something somewhere. How can you not love a truck driver (Mac Rebannac) who wanders into a studio and becomes a music legend? How can you not credit the seminal nature of "Right Place, Wrong Time," "Iko, Iko," "Such a Night," and the entire "Going Back to New Orleans" disc? How can you not appreciate a guy who helped put Allen Toussaint on the map? He may appear to be a poser to you, but if you've ever stood 10 feet away and watched this guy work a keyboard, you'd repent! He definitely deserves the recognition of the somewhat silly Cleveland museum. Now, why they have overlooked the guy who was perhaps the best combined lyricist and tunesmith of the 20th century, I cannot explain (even Ira needed needed George; few could do both, though Randy Newman comes close since he seems to write about 20 songs a day, and given the volume some are bound to get over the threshhold).

-T-Bro, bringing the pain

7:22 PM

 
Blogger Fang Bastardson said...

A passionate defense! I will have to give Dr. John a second look, but this will be complicated by the fact that whenever I try to locate him on YouTube, I find myself watching endless "Dr. Teeth and the Electric Mayhem" clips instead.

I think I may be getting the two mixed up.

But you can't argue that Rush are being robbed——robbed, I tell ya!

7:27 PM

 

Post a Comment

<< Home