…one super-hero movie at a time.
So The Missus, The Boy and I are out on a playdate over the
weekend at a local bowling alley with this beautiful but somewhat withdrawn
little girl, Malaika, and her dotty mom... uh, Sue? Sally? Fuck it, we’ll call
her what she is; Dottie.
We’re swapping life-story thumbnails (the kids know each other, we don’t) and Dottie reveals that Malaika’s step-dad is a “total gun-nut” (Dottie’s words)
with rage issues, no patience, 15 years white-knuckle sobriety under his belt
and oh yeah, he doesn’t like kids, including hers. According to Dottie, he
literally puts earplugs in at home to blot Dottie and Malaika out.
Dottie seems nice enough, but she’s one of those gals who a)
just never stops talking—thus the earplugs, I suppose—and b) is always in the
middle of a run of bad luck. This week, she says, her face got infected and
swollen (some bruising remains) and her car broke down and she couldn’t afford
to fix it but her husband doesn’t want her working and we’re only going bowling
because she fell into a couple of free bowling passes. She loves the Lord and
“just believes” in the Bible.
I immediately think about her rage-monster, dry-drunk second or third husband
and assure her I barely even noticed the residual bruising left by her
unfortunate “infection.”
Being me, by this point, my heart is bleeding for these people, by which I mean
the little girl. (Sorry, adults, you’ve made your own bed.)
After a while, the conversation moves on to gossiping about some of the kids’
other classmates. Dottie and I both volunteer in the classroom when we can, so
we’re well familiar with the cast of characters.
There’s one little girl The Missus and I always notice. Her name is Danica, and
besides her huge green eyes and flaming red tresses, she’s drawn our attention
because every day, she is dressed in a different outfit that is kind of Annie
Hall-meets Goodwill-meets an explosion at a rainbow factory. This kid’s
breathtaking fashion sense hits you farther away than one of Ted Nugent’s
elephant guns.
Plus she’s this extremely together, centered kid. She approaches (familiar)
adults and starts conversations way above her grade-level. She’s never out of
control, even when the rest of the room is in chaos. She comes up and gives
brisk, sincere hugs out of the blue. She’s just a superstar, waiting to happen.
Apparently she has a sister in sixth grade who already is.
Anyhow, The Missus mentions Danica’s unique attention to couture, and Dottie’s
eyes darken and her voice goes all hushed, “Well, you know about Danica’s
family situation, right?”
We go “no,” preparing for the worst. If it’s spooked Dottie, it must be pretty
fucking horrible.
“Danica’s parents are divorced and her Mom...” (I’m thinking cancer) “...her
mom moved in with a woman,” she gasped,
her voice falling even lower.
And oh my God, apparently they think they’re happy!! What are they going to do
without an inarticulate, uncommunicative, emotionally distant male to head
their household as the Bible instructs?!
Et cetera, ad nauseum. Thinking
about how this quiet little girl’s mom was putting her daughter in potential
jeopardy on a daily basis while listening to her bad-mouth a mutually loving
relationship that is producing startlingly well-adjusted children just worked
my nerves on so many levels.
Somehow, The Missus and I both kept our umbrage to ourselves—I’m especially
proud of The Missus, who lately has been hanging her hat on gender-equity
issues—but this is, in a nutshell, what I hate about Idaho.
Dottie would be an outlier in California, out here she’s the
official State Archetype.
Which brings me to The Avengers.
And the geek in me cannot resist issuing a quick review… I’ll
keep it spoiler-free, assuming that not everyone played the movie’s game and
ran right out saw it already.
Had to see it twice, as the idiots at the local IMAX completely destroyed our
family’s first attempt to enjoy the film with their epic bungling of the
pressing the “on” switch in the projection booth. But I’m digressing from my
digression and that is never good…
Man, does The Avengers nail it. This is
the movie I’ve been seeing in my head since I was a little kid, reading the
source material in the ’60s. The smartest thing the filmmakers did was getting
fellow fan-boy and TV auteur Joss Whedon to write and direct it. On paper, it
was a big gamble. None of Whedon’s previous projects have made anything more
than chump change at the box office.
But all his properties have wildly devoted cult followings, and now the world knows
why.
With the kind of budget they threw at this thing, it would have looked
good even in Ed Woods’ hands. So the cheesy
production values of Whedon’s previous efforts isn’t really an issue, and it
becomes all about insight and instincts, and both are spot-on. Avengers is that rare comic-book film that is great because
it plays like a comic book. The Dark Knight is a greater film, but it (deliberately) didn’t feel
at all like a giddy comic book joyride, whereas The Avengers is an E Ticket to a good time from the first moving
image.
I think that’s partly because the usual tortured exposition necessary to the
genre has been dispatched with in the heroes’ individual films, and this one
can start off like a bullet fired from a gun without leaving the audience
behind.
But it’s mostly Whedon’s obvious love for the characters and ease with the
conventions of the genre that lifts this ship’s sails. For instance, unlike
every other previous screen appearance, the Hulk is a highlight of this film,
not a millstone around its neck. And that’s only because Whedon knows exactly
how to use him; he gets a couple of the best scenes in the film. The character
went from being a Hollywood in-joke to its hottest new property overnight.
The extensive action sequences are full of clever “how come I’ve never seen
that on the screen before?” moments. The movie also succeeds by keeping the
breezy air of the Iron Man movies
intact throughout. Every scene is just plain fun, even the talky ones, and the
throwaway gags (you will know them when you see them; keep your eye on the
Hulk) are destined to be movie touchstones for a generation.
And the way Whedon writes Captain America... Cap has a scene
about 3/4 of the way through the film that gave me goosebumps and has drawn
applause at both of the screenings we’ve been to.
And I haven’t even gotten to Robert Downey Jr.’s Iron Man and Scarlett
Johanssen sewn into a black catsuit yet.
So what the hell does any of this have to with intolerance
in Idaho?
The fulcrum around which The Avengers pivots is Nick Fury, world’s top super-spy, played
by the world’s top movie bad-ass, Samuel L. Jackson.
In case you’re wondering, Jackson’s casting was not a pander
to the PC-crowd, or a marketing ploy to exploit “diversity” in an effort to
fill as many seats as possible. A decade ago or so, British graphic artist
Bryan Hitch helped relaunch the Avengers
comic, and he cast well-known actors as his super-heroes, including Brad Pitt
as Thor (!) and Sam Jackson as Nick Fury, who had always been Caucasian in
previous incarnations.
But Sam Jackson and Nick Fury were such a perfect fit that
it stuck, and the franchise is much improved for it. The last Caucasian thesp
to portray Nick Fury onscreen? Sir David of Hasslehoff. Need I say more?
Anyhow, the second time The Boy and I saw the movie, part of
the fun for me was watching the family to our left watch the film. A mom and
dad in their 20s and a kid about The Boy’s age, and mom and the kid loved the
whole thing (couldn’t see dad that well). The kid caught me looking, and after
that we shared grins at cool moments in the movie. At the end when they were
about to leave, I took a chance and touched his elbow. He looked over at me,
and I said, “Hang on, there’s still one more bit to come.” He turned to his mom
and grabbed her by the arm, pulling her back into their seats. And we all got
to see the “tag” at the end. After it, the kid looked at me questioningly. I
leaned forward and told him the name of the tag’s mysterious villain in a confidential
voice and watched his eyes light up.
It was only after getting back home that it occurred to me
that, after living in Boise for two years now, this is the first time I can
recall sharing a screening room with any person of color, let alone three. And
I wondered how much of that had to do with Sam Jackson.
Then it occurred to me that, even in Idaho, that kid in the
seat next to my son is growing up in a country where the President has always
been Black, and so has Nick Fury. There’s no reason in the world he can’t go
home and dream of growing up to be the most powerful man in the world. Ordering
super-heroes around, or killing real-life terrorists from an office chair in
the White House Situation Room.
We’ve come a long way since I was a kid, when the best a
young Black kid could reasonably dream of growing up to be was a Harlem
Globetrotter, or maybe a doorman at a really swanky condo uptown.
As the Trayvon Martin case illustrates, the issue of race
isn’t anywhere near resolved, but like terror, racial bias will never be
completely stamped out. Hate lives in the heart of man, and hate always needs a
target. It and its effects are here to stay.
But this kind of
hate, race-hate, has in my lifetime become the exception rather than the rule.
Even in Idaho.
And it gives me hope that by the time my son and the kid
next to him at the movie are adults, we’ll have seen a gay President or two as
well as some openly-fabulous super-heroes at the cinema, and gender-orientation
discrimination will seem as ugly and archaic as racial bias does today.
Even in Idaho.